Fab the Fortunate Frog - January 9, 2017
About That Snake - Memorial Day, 2015
Accidentally on Purpose: Bill Beckley at Albertz Benda by David Carrier, October 3rd, 2015
A Chattering of Starlings, December 25, 2014 Kerhonkson NY
Neue Zuger Zeitung article, 11-2014
Death and Venice, for Dennis, 2011
Radical Domestics, Thomas Phan, 2010
Warm Poop, an Elegy, Thomas Phan, 2010
Etcetera - Tony Shafrazi, Art in America exhibition review by Tim Maul, September, 2010
Interview, Bill Beckley talking about his work from 1969-71
Sticky Sublime, Edited by Bill Beckley, The School of Visual Arts and Allworth Press, New York, 2001
Ping-Pong Dialogues, Chelsea Space, London, 2008, Courtney J. Martin
Pathways to a self, Introduction by Carter Ratcliff
The child in the House, David Carrier
Generosity and the Black Swan, Bill Beckley
Louise Bourgeois (On Sunday Afternoons), Bill Beckley
Essays:
Introduction to Thomas McEvilleyís The Space of Ancient Thought, Allworth Press and The School of Visual Arts, 2002
Sticky Sublime, Introduction for Sticky Sublime, Allworth Press, and the School of Visual Arts, New York, 2000
All Names Have Been Changed to Protect the Innocent, Afterward of Donald Kuspit's Dialectic of Decadence, Allworth Press, NY
Sublimitas Mobilist, Introduction to Beauty and the Contemporary Sublime by Jeremy Gilbert-Rolfe, Allworth Press and The School of Visual Arts, New York, 1999
Doubting Thomas, Introduction to Sculpture in the Ager of Doubt by Thomas McEvilley, Allworth Press and The School of Visual Arts, New York, 1999
The Beginning of the Art World, Introduction to The End of the Art World, by Robert C. Morgan, Allworth Press and The School of Visual Arts, New York, 1998
Rocket Man, Introduction to Imaginary Portraits by Walter Pater, Allworth press, New York, 1997
Teaching Art, Introduction to Lectures on Art by John Ruskin, Allworth Press, New York, 1997
Motives for Metaphor, Ruskin, Then and Now, Introduction to The Laws of FÈsole by John Ruskin, Allworth press, The School of Visual Arts, 1996
Photo fictions:
Sticky Sublime, Art Press, Special April Issue, 2002
The Road to Ra A narrative poem, Lingo Magazine. West Stockbridge, 1996
Art Press Pink I, Think Story and photographs, Bill Beckley April, 1995
Articles, interviews and reviews:
Edward Leffingwell, Review of Dorfman Projects show, Art in America, January issue, New York, 2008
Catalogue for Made in USA with Keith Haring, Kenny Scharf, Robert Longo and Bill Beckley, Oberhausen, Germany, 2002
Sticky Sublime and Stations Art, Press special issue, April 2002
Thomas McEvilley, Art in America (review), March issue, New York, 2002
Smock Magazine, Two Stations Volume 2, #1, Winter issue, New York, 2002
The Connection, WBUR Boston, Public Radio, March 27, 2002
David Shapiro, 14 Stations/Fourteen Questions, New York Arts, October 2001
Robert Morgan, Review of Gibson show, Review Magazine, New York, March 15, 2000
Book for exhibition Sammlung Falckenberg, Museum de bildenden Kunst Leipzig, Germany, Herausgegeben von Klaus Deiter Eicchler Philosophie der Freundschaft, Reclam Leipzig, Germany (Cover Photograph)
17 Contemporary Artists from America, Italy, and Mexico Catalog for exhibition, The Menile Collection, Texas
Art at Ringier 1995-1998, Ringier AG Zurich, Switzerland
Tony Godfrey, Conceptual Art, Phaidon Press, London, 1998
Luminita Sabau (Editor), The Promise of Photography, (also A.D. Coleman), Prestel Press, Munich, London, New York, 1998
The American Sublime, Conversation with Bill Beckley and Louise Bourgeois, Harpers Magazine, September, 1998
Tim Cahill, A Dialogue with beauty Reappears in Contemporary Art, Christian Science Monitor, August 21, 1998
Mary Tabor, Think Tank, Rescuing Beauty, Then Bowing to Her Power, New York Times, April 11, 1998
Edith Newhall, The Beauty Part, New York Magazine, March 23, 1998
Ela Caroli, Arte, I segni quotidiani dellíamericano Beckley, Corrier del Mezzogiorno, May 22, 1998
Il Sole, In Galleria, May 24, 1998
Von Michael George-Muller, Zeitgenossischee Kunst in Dusseldorf, Wirtschaft, March 1, 1998
Jonathan Goodman, Review of Gibson Exhibition, Art in America, September, 1997
Edith Newhall, review of Gibson exhibition, New York Magazine, March 17, 1997
Anne Dagbert, Bill Beckley, Chateau de Jau review, El Guina 5-6-1995, Version Francaise, Barcelona
David Shapiro, Bill Beckley: The Art of Liberty 1969-1994, Catalogue essay for book (78 pages), published by Galerie Hans Mayer Dusseldorf and Chateau de Jau, Perpignan for retrospective exhibitions, 1994
Art Press, Exporama (reproduction), Paris, September 1994, no.194
Herve Gauville, Les acides mesalliances de Beckley, Liberation, Paris, August 20, 1994
Luc Vezin, Les Codes de Bill Beckley, Info Matin, September 7, 1994, Ivre sur Seine, no.169
Luc Malepeyre, L'epouse du ministre de la Culture a le vernissage de l'expo de Bill Beckley, Midi Libre, Perpignan, France, June 26, 1994
Heinz-Norbert Jocks, Subtile Poesie des Banalen (review of exhibition at Galerie Hans Mayer), Westdeutsche Zeitung, June 1994
Klaus U. Reinke, Fruchte gemeinsamer Strategie (review of exhibition at Galerie Hans Mayer), Handelsblatt, June 2, 1994
Sebastian Klause, Eisgekuhlte Poesie (Review of exhibition at Galerie Hans Mayer), D¸sseldorfer Feuilleton, May 27, 1994
Antonio Cerveria Pinto, Not Photography, O Independente, June 12, 1993
”scar Faria, Arte de Frabricar HistÛrias, interview in Publico, p.32, June 3, 1993
”scar Faria, Fabrica de textos, Publico, May 17, 1993
F.P., review in Primeiro de Janeiro, Porto, June 17, 1993
Unsigned review in ComÈrcio do Porto, June 9, 1993
J.S.M., Text Factory, Artes & Leibnıes, p.84, June July 1993
Les Limites de l'Art, La Donation Vicky Remy, p.75, Musee d'Art de Saint-Etienne, 1993
Galerie Mit Bleistift, Galerie Konrad Fischer, retrospective catalogue, p.90. 1993
C.S. Roberts, Riguer et la Rupture, Kanal Europe, January, 1993
Riccardo Notte, Affidiamoci Alla Forza D'urto Delle Immagini Assolute, Roma, January 9, 1992
RTME T.V., Naples, Rome, Evening News, January 12, 1992
Rizzoli Papadakis, New York, 1992
Lisa Phillips, Image World, Art and Media Culture, In New Art, Edited by Andreas
Raphael Rubenstein, review in Arts Magazine, May 1991
Alan Jones, Books in Artist's Lives, Arts Magazine, January 1991
Michel Uridsany, Marathon Autor de Beauborg, Le Figaro, September 11, 1990
Exhibition Catalog, Image World, Art and Media Culture, Whitney Museum of American Art, p.86, 1989
Bill Beckley (exhibition catalog), Galleria Milano, 1989
Bill Beckley, La Republique, June 8, 1989
Judith Christensen, Slices of Art and Life, Artweek, May 6, 1989
American, Italian, Mexican Art, 1979-1989, Catalogue Hofstra Museum, Hempstead, New York Collection of Francesco Pellizzi
David Shapiro, Art Scribe, November / December 1988, (review)
Jane Bell, Bill Beckley, Art News, January 1988, (review)
Photography And Art Interaction Since 1946 by Andy Grundberg and Kathleen McCarthy-Gauss, Abbeyville Press, l987
Fabrications, Anne H. Hoy, Abbeyville Press, 1987
Suzanne Stroh, High Impact and the Downe Collection (catalogue essay), 10 Years of Collecting Contemporary Art, l979-86, Wellesley College Museum, pp.86,87, 1987
Joseph Jacobs, The New Photography, This is not a Photograph (catalogue essay), John and Mabel Ringling Museum of Art, 1987
Bill Beckley, References, Cafe Creme Magazine, no.7, Summer, 1986
Anne Dagbert, Bill Beckley, L'Archeologie du Tableau (interview), Art Press, 93, June 1985, p.19
Hudson River Museum, 1985
Mary Delahoyd, A New Beginning (exhibition catalogue), 1968/1978
Connie Beckley, Bill Beckley (exhibition catalogue), Middelburg, Netherlands, 1984
Collage Expanded (exhibition catalogue), Visual Arts Museum, 1984
Michael Brenson, New York Times (exhibition review), Friday, April 6, 1984
Tommaso De Chairo, Lo Spozio-Tempo Della Narrative Art, Terzoocchio, March, 1984
David Shapiro, The Text Factory: An Interview with Bill Beckley, Arts, vol.59, no.2, October 1984, p.142
Donald B. Kuspit, Art in America (exhibition review), vol.72, no.9, October, 1984, p.197
Ellen Handy, (exhibition review) Arts, vol.58, no.10, Summer, 1984, p.37
Bill Beckley (exhibition catalogue), Stadtisches Museum, Monchengladbach, 1984
Catherine Millet, Rupture, pas Rupture?, Art Press 70, 1983
Jane Bell, (exhibition review) Artnews, Vol.82, no.8, October 1983, p.178
Vante Aux Encheres (exhibition catalogue), Palais Des Beaux-Arts, Bruxelles, 1983
Rolf H. Krauss, Manfred Schmalriede and Michael Schwarz, Kunst Mit Photographie, Frolich and Kaufmann, 1983
The RSM Collection (exhibition catalogue), The Contemporary Arts Center, Cincinnati, 1981
Douglas Davis, After Photography, Village Voice, April 1-7, 1981
112 Workshop, Greene Street, New York University Press, pp. 3, 12, 15, 27, 1981
A Seventies Selection (exhibition catalogue), Miami Art Museum, Oxford, Ohio, 1981
The New Museum, New York City, 1981
Alternatives in Retrospect, An Historical Overview l969-1975 (exhibition catalogue)
Les Levin, Camera Art, Artes Visuales, no. 25, August, 1980
Artist and Camera (exhibition catalogue), Arts Council of Great Britain, 1980
Shop Windows By Artists, (exhibition catalogue), Graz, 1980
The Sense of the Self, From Self-Portrait to Autobiography (exhibition catalogue), Independent Curators Inc., 1980
Drawings from the Collection of Milton Brutten and Helen Herrick (exhibition catalogue), William Paterson College, Wayne, New Jersey, l980
Chantal Lette-Darcy, Interview with Bill Beckley, (cover), Parachute no.19, Summer, 1980, p.19
Mark Stevens, The Dizzy Decade, Newsweek, March 26, p.91, 1979
Sam Hunter, Modern Art, Abrams, 1979
Paula Marincola, Words and Images (catalogue essay), Philadelphia College of Art, 1979
Narrative Art (exhibition catalogue), Groninger Museum, Groningen, 1979
Biennial Exhibition (exhibition catalogue), Whitney Museum of American Art, 1979
Concept Narrative Document (exhibition catalogue), Museum of Contemporary Art, Chicago, 1979
Watercolor and Photographs, Narrative Art, (exhibition catalogue), D¸sseldorf, 1979
Bill Beckley (statement and cover), Kunstform, no.33, 1979, p.110
Words (exhibition catalogue), Museum Bochun and Palasso Ducale, 1979
Paul Schimmel, American Narrative / Story Art (exhibition catalogue), Contemporary Arts Museum, Houston, Texas 1978
Daniel Templon 10 Years, (exhibition catalogue), 1978
St James Press Ltd., Great Britian, 1977
Colin Naylor and Genesis P-Orridge, eds., Contemporary Artists
Francesca Alinori, Humor and Thrills in Bill Beckley's Stories (cover), Sommario, vol.3, no.6, June, 1978, p.6
So Billig Wie Nie, Wirtschafts Woche, no.29, July 8, 1977
Documenta 6 (exhibition catalogue), Kassel, Germany, 1977
Bill Beckley 1972-1977 (exhibition catalogue), Galerie Denise Rene, Hans Mayer, 1977
Bill Beckley, Romanticism: An Outline (I'm Sitting by the Sea), Flash Art 78-79, November / December, 1977 (cover with article) pp.26-27, 46-47
Flash Art, no. 76-77, July / August, 1977 (cover)
Mac Adams, Bill Beckley, James Collins, (exhibition catalogue), Alberta College of Art, 1977
Richard S. Scheiderman, Georgia Museum of Art, Bulletin 1976-1977, University of Georgia, 1977
Critical Perspectives in American Art (exhibition catalogue), University of Massachusetts, Amherst, 1976
Bonito Oliva, Achille, Europe America, the Different Avant-Gardes, Deco Press, 1976
Peter Frank, Auto Art, Self-Indulgent? And How! Art News, September 1976
Mark Stevens, The Dizzy Decade Newsweek, March 26, 1976
Michael Krugman, (exhibition review), Art in America, Vol.64, no.4, July / August, 1976, p.102
USA. (exhibition catalogue), The Venice Biennial, 1976
The Artist and the Photograph (11) (exhibition catalogue), Second Triennale of Photography at the Israel Museum, 1976
Barbara Radice, Bill Beckley: La Struttura Dell' Acausale Data Arte (cover), May / June, 1976, p.62
Critical Perspectives in American Art (exhibition catalogue), 37th Venice Biennial, 1976
Visibila Data Arte, no.19, December, 1975
Judith Tannenbaum, New York Art Yearbook, vol.1, 1975-76, Noyes Art Books, New York
Bill Beckley, Flash Art, no.10, 1975
Narrative in Contemporary Art (exhibition catalogue), University of Guelph, Ontario, Canada, 1975
David Bourdon, (Photo) (Photo) 2 ... (Photo) n. (exhibition catalogue), University of Maryland Art Gallery, 1975
Work Image Number (exhibition catalogue), Sarah Lawrence Gallery, 1975
Les Levin, Camera Art, Lunds Konsthall, Sweden, 1975
Documents de l'Absence, Maison de la Culture de Remmes, (exhibition catalogue), 1975
Margareth Jochimsem, Story Art Magazin Kunst, no.2, 1974, p.56
James Collins, Narrative (exhibition review), Artforum , September, 1974
Narrative Art, (exhibition catalogue), Museo Progressivo d'Arte Contemporanea, Citta di Livorno, 1974
James Collins, Story Art New York, October 28, 1974
Narrative Art (exhibition catalogue), Cannaviello Studio d'Arte, Rome, 1974
Claire Stoullig, Bill Beckley, Le Narrative Art, Art Press, no.6, September / October, 1973, p.22
Manifestations Internationales Artitudes 5, Summer, 1973
A la 8 Biennale de Paris, Elle, September 17, 1973
Bill Beckley, Bill Beckley, Flash Art, no.2, July - August, 1973, p.8
Bruce Boice, Bill Beckley, (exhibition review), Artforum , June, 1973
James Collins, Story, (exhibition review) Artforum, September, 1973
Rumbles Avalanche, Spring, 1972
Bill Beckley, Ululations, Avalanche, Fall, 1971, p.18
Jeffrey Lew and Alan Saret, 112 Green Street Avalanche, Winter, 1971
Art in the Mind, Allen Art Museum, Oberlin College, 1970
Robert Rohm, Outdoor Sculpture -Sculpture Outdoors, Pukka Magazine, September 1970